Scarface homies and thugs whosampled code#

Some argue that while playa rap may seem at first glance to endorse non-hegemonic modes of embodiment, others argue that its lyrics actually promote an embodiment that is in service of the hegemonic goals of controlling women and displaying capitalistic success. Playa rap's promotion of an alternative form of masculine embodiment points to the limitations of hegemonic masculinity as a lens for understanding subordinated men. The data for this research comes from a content analysis of lyrics from playa rap-a genre of rap music characterized by its focus on consumption, adornment, and sensual pleasure. This study examines the manifestation of subordinate men's masculinity in popular culture by analyzing the construction of Black masculinity in rap music. Recent years have witnessed a resurgence of sociological research on identity, culture, and violence in inner-city black communities Portrayals of violence in the lyrics serve many functions including establishing social identity and reputation and exerting social control: these are the central topics of the analysis. These issues are examined through content analysis of 403 songs on rap albums from 1992 to 2000. I then examine the complex, reflexive relationship between the street code, rap music, and social identity. These adaptations help to create an interpretive environment where violence is accountable, if not normative.

I first consider how structural conditions in inner-city communities have given rise to cultural adaptations embodied in a street code.

Scarface homies and thugs whosampled code#

I build upon such literature through analysis of gangsta rap music, exploring how the street code is present not only in ' the street, ' but also in rap music. Recent research on identity, culture, and violence in inner-city communities describes a black youth culture, or street code, that influences adolescent behavior, particularly violent behavior.